Moving onto the hero shots, Bill introduces a character into the level, where Maya is introduced to the workflow for the purposes of animation. During this process, Bill shares his pipeline that helps to empower animators to freely animate in Maya while updating their scenes in Unreal.
The final portion of this workshop compiles all the shots in Unreal and Bill shows how he renders the frames for his edit in Premiere. He demonstrates his tried-and-tested techniques that help artists to maximize their efforts while keeping an organized and efficient workflow.
This project features the ARTv1 rig provided by Unreal.
SOFTWARE USED
Maya Premiere Unreal

https://www.thegnomonworkshop.com/tutorials/cinematic-production-techniques-using-the-unreal-engine-sequencer