This study brings together the work of French theatre pedagogue Jacques Lecoq (1921-1999) and French philosopher of science and the imagination Gaston Bachelard (1884-1962) to explore the notion of the imagination as embodied, enactive and embedded in the devising process. An exploration of compelling correspondences with Bachelard, whose writings imbue Lecoq's teaching ethos, offers new practical and theoretical perspectives on Lecoq's 'poetic body' in contemporary devising practices. Interweaving first-hand accounts by the author and interviews with contemporary international creative practitioners who have graduated from or have been deeply influenced by Lecoq,
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