Described by the New York Times as "classic activist theater" and "a cross between 'A Christmas Carol' and a trial at The Hague's International Criminal Court."
"In this, his latest work, the protean Ishmael Reed-the legendary artist and prolific writer-continues to burnish his already sterling reputation by dismantling the 'Creation Myth' of the founding of the U.S., as represented in the incredibly profitable play and musical, Hamilton. Reed, a verbal acrobat of global renown, demonstrates here why he is widely considered to be the leading intellectual in the U.S. today."
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