Nabil Matar, a leading scholar of Islamic-British relations, standardizes Stubbe's text and situates it within England's theological and intellectual climate in the seventeenth century. He shows how, to draw a historical portrait of Muhammad, Stubbe embraced travelogues, Latin commentaries, studies on Jewish customs and Scripture, and, most important, Arabic chronicles, many written by medieval Christian Arabs who had lived in the midst of the Islamic polity. No European writer before or for a long time after Stubbe produced anything similar to what he wrote about Muhammad the "great Prophet," Ali the "gallant" advocate, and the "standing miracle" of the Qur'an. Stubbe's book therefore makes a unique contribution to the study of the representation of Islam in Western thought.