Cymatics Lotus v1.0.1 | 7.2 Mb
Analog Delay / Pitch Shifter. Our most game changing plugin yet is finally here... LOTUS

Otto Audio II II II II v1.5.1 | 8.8 Mb
II II II II is a quantum leap for heavy music & brutal tones in the box - an immersive high gain amp experience for the guitarist who is obsessed with distortion characteristics, detailed saturation & complex harmonics. II II II II reaches lower, punches harder & snarls more viciously than any other amp on the market. Extensive shootouts confirm that II II II II has elevated the bar. Complex harmonics, non-linearities and cascading gain stages produce unrivaled heavy tones that growl & feel as real as physical amps. Ideal for heavy music, down-tuning, baritones, extended scales, 6, 7, 8 & 9 string guitars.

PSPaudioware PSP Xenon v1.6.0 | 18 Mb
PSP Xenon is a full band, dual-stage limiter plug-in featuring an integrated leveler, advanced K-System metering, and psychoacoustically optimized word-length reduction. PSP Xenon offers pristine 64-bit precision processing throughout its entire signal path, and can operate at sample rates up to 192kHz.

PSPaudioware PSP Saturator v1.1.0 | 37 Mb
A new addition to the PSP Audioware lineup, PSP Saturator brings its refined algorithms and pushes the quality of saturation to a new level and can virtually heat up your production.

PSPaudioware PSP NobleQ v1.8.1 | 23.9 Mb
PSP NobleQ combines the features of passive program equalizers with a wide range of frequency settings and extended functionality. To make this plug-in a versatile tool, we added several modern features such as an adjustable high pass filter, and the ability to switch the high peak and shelf filters to "Boost" or "Attenuation" modes.

PSPaudioware PSP Impressor v1.0.0 | 40.1 Mb
The PSP Impressor is an incredibly accurate, a fully-featured, high-precision compressor designed to process whole mixes, busses or single tracks. PSP Impressor emulates the magical classic characteristics of compressors with valve and opto-electronic circuits as well as classic modern compressors. PSP Impressor also features a highly configurable side-chain. The side-chain filter has a significant effect on PSP Impressor's sound and operation. Depending on your side-chain filter settings, the filter also lets you use the compressor as a de-esser or to reduce the pumping effects of heavy kick drums and the like.

Master Tones The Widener v1.0.0 | 11.8 Mb
Breaking the borderline of the stereo image, The Widener expands the boundary of your sound to a whole new level, immersing the listener in the dimension of sound field you build. Powered by our very own Ariosa AI technology, The Widener is able to work seamlessly without having any phasing issues, giving you the smoothest user experience. The EQ feature enables you to target the frequency range specifically for your sound, alternating only the frequency band you want to work at.

Master Tones The Deepner v1.0.0 | 10.4 Mb
Creating an incredible dynamic to your work, The Deepener empowers you the freedom to alternate the sound source to any desire distance in the center of the sound stage, the size of the sound image is decided by your imagination. Powered by our very own Ariosa AI technology. The EQ feature enables you to target the frequency range specifically for your sound, alternating only the frequency band you want to work at.

Roland ZENOLOGY Pro v1.65 (x64) | 1.26 GB
Harness the vast power of the ZEN-Core Synthesis System and dive deep into the world of custom sound design with ZENOLOGY Pro. You get the amazing sound quality and efficiency of ZENOLOGY, plus an expansive interface to craft all-new sounds that inspire your music.

Pulsar Modular P914 FFB v1.5.3 | 12 Mb
At a time when Bob Moog and others were pioneering the concept of voltage control for oscillators, filters, amplifiers, and more, Bob Moog again broke the mold and conceived a fixed filter bank; no voltage control! This was not an equalizer although it had certain visual characteristics of one. No, the intent of the FFB was to enhance the primary signal, adding harmonics at specific frequencies or removing them at others. This was a time when musicians and engineers were struggling to come to terms with the new synthesizers charging across the music industry and how to employ them in the composing and performing world.