Knott G D Interpreting Lisp 1997 | 461.24 KB
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Title: PreserVision AREDS 2 Eye Vitamin & Mineral Supplement, Contains Lutein, Vitamin C, Zeaxanthin, Zinc & Vitamin E, 120 Softgels (Packaging May Vary)
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Year: 2010

Ebooks to post | 458.41 KB
N/A | 104 Pages

Title: Echo Dot (3rd Gen, 2018 release) - Smart speaker with AlexCharcoal
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The Power of Black Music: Interpreting Its History from Africa to the United States By Samuel A. Floyd
1995 | 336 Pages | ISBN: 0195082354 | PDF | 18 MB
When Jimi Hendrix transfixed the crowds of Woodstock with his gripping version of "The Star Spangled Banner," he was building on a foundation reaching back, in part, to the revolutionary guitar playing of Howlin' Wolf and the other great Chicago bluesmen, and to the Delta blues tradition before him. But in its unforgettable introduction, followed by his unaccompanied "talking" guitar passage and inserted calls and responses at key points in the musical narrative, Hendrix's performance of the national anthem also hearkened back to a tradition even older than the blues, a tradition rooted in the rings of dance, drum, and song shared by peoples across Africa. Bold and original, The Power of Black Music offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. Striving to break down the barriers that remain between high art and low art, it brilliantly illuminates the centuries-old linkage between the music, myths and rituals of Africa and the continuing evolution and enduring vitality of African-American music. Inspired by the pioneering work of Sterling Stuckey and Henry Louis Gates, Jr., author Samuel A. Floyd, Jr, advocates a new critical approach grounded in the forms and traditions of the music itself. He accompanies readers on a fascinating journey from the African ring, through the ring shout's powerful merging of music and dance in the slave culture, to the funeral parade practices of the early new Orleans jazzmen, the bluesmen in the twenties, the beboppers in the forties, and the free jazz, rock, Motown, and concert hall composers of the sixties and beyond. Floyd dismisses the assumption that Africans brought to the United States as slaves took the music of whites in the New World and transformed it through their own performance practices. Instead, he recognizes European influences, while demonstrating how much black music has continued to share with its African counterparts. Floyd maintains that while African Americans may not have direct knowledge of African traditions and myths, they can intuitively recognize links to an authentic African cultural memory. For example, in speaking of his grandfather Omar, who died a slave as a young man, the jazz clarinetist Sidney Bechet said, "Inside him he'd got the memory of all the wrong that's been done to my people. That's what the memory is....When a blues is good, that kind of memory just grows up inside it." Grounding his scholarship and meticulous research in his childhood memories of black folk culture and his own experiences as a musician and listener, Floyd maintains that the memory of Omar and all those who came before and after him remains a driving force in the black music of America, a force with the power to enrich cultures the world over.

Centre and Periphery, Roots and Exile: Interpreting the Music of István Anhalt, György Kurtág, and Sándor Veress By Friedemann Sallis, Robin Elliott, Kenneth DeLong
2011 | 480 Pages | ISBN: 1554581486 | PDF | 10 MB
This book examines the impact place and displacement can have on the composition and interpretation of Western art music, using as its primary objects of study the work of István Anhalt (1919-2012) György Kurtág (1926-) and Sándor Veress (1907-92). Although all three composers are of Hungarian origin, their careers followed radically different paths. Whereas, Kurtág remained in Budapest for most of his career, Anhalt and Veress left: the former in 1946 and immigrated to Canada and the latter in 1948 and settled in Switzerland. All three composers have had an extraordinary impact in the cultural environments within which their work took place. In the first section, "Place and Displacement," contributors examine what happens when composers and their music migrate in the culturally complex world of the late twentieth century. The past one hundred years produced record numbers of refugees, and this fact is now beginning to resonate in the study of music. As Anhalt himself forcefully asserts, however, not all composers who emigrate should be understood as exiles. The first chapters of this book explore some of the problems and questions surrounding this issue. Essays in the second section, "Perspectives on Reception, Analysis, and Interpretation," look at how performing acts of interpretation on music implies bringing the time, place, and identity of the musician, the analyst, and the teacher to bear on the object of study. Like Kodály, Kurtág considers his work to be "naturally" embedded in Hungarian culture, but he is also a quintessentially European artist. Much of his production-he is one of the twentieth century's most prolific composers of vocal music-involves the setting of Hungarian texts, but in the late 1970s his cultural horizons expanded to include texts in Russian, German, French, English, and ancient Greek. The book explores how musicologists' divergent cultural perspectives impinge on the interpretation of this work. The final section, "The Presence of the Past and Memory in Contemporary Music," examines the impact time and memory can have on notions of place and identity in music. All living art taps into the personal and collective past in one way or another. The final four chapters look at various aspects of this relationship.

Sociocultural Aspects of Translating and Interpreting By Anthony Pym, Miriam Shlesinger , Zuzana Jettmarová
2006 | 264 Pages | ISBN: 9027216754 | PDF | 3 MB
Translation Studies has recently been searching for connections with Cultural Studies and Sociology. This volume brings together a range of ways in which the disciplines can be related, particularly with respect to research methodologies. The key aspects covered are the agents behind translation, the social histories revealed by translations, the perceived roles and values of translators in social contexts, the hidden power relations structuring publication contexts, and the need to review basic concepts of the way social and cultural systems work. Special importance is placed on Community Interpreting as a field of social complexity, the lessons of which can be applied in many other areas. The volume studies translators and interpreters working in a wide range of contexts, ranging from censorship in East Germany to English translations in Gujarat. Major contributions are made by Agnès Whitfield, Daniel Gagnon, Franz Pöchhacker, Michaela Wolf, Pekka Kujamäki and Rita Kothari, with an extensive introduction on methodology by Anthony Pym.

From Jesus to the Gospels: Interpreting the New Testament in Its Context By Helmut Koester
2007 | 318 Pages | ISBN: 0800620933 | DJVU | 6 MB
Helmut Koester, one of today's foremost New Testament scholars, offers a lifetime's insights into the message of the historical Jesus and the traditions, practices, and trajectories that shaped the Gospels and other early Christian literature including "Q" and the Gnostic Gospels.

Song Means: Analysing and Interpreting Recorded Popular Song By Allan F. Moore
2012 | 395 Pages | ISBN: 1409428648 | PDF | 3 MB
The musicological study of popular music has developed, particularly over the past twenty years, into an established aspect of the discipline. The academic community is now well placed to discuss exactly what is going on in any example of popular music and the theoretical foundation for such analytical work has also been laid, although there is as yet no general agreement over all the details of popular music theory. However, this focus on the what of musical detail has left largely untouched the larger question - so what? What are the consequences of such theorization and analysis? Scholars from outside musicology have often argued that too close a focus on musicological detail has left untouched what they consider to be more urgent questions related to reception and meaning. Scholars from inside musicology have responded by importing into musicological discussion various aspects of cultural theory. It is in that tradition that this book lies, although its focus is slightly different. What is missing from the field, at present, is a coherent development of the what into the so what - of music theory and analysis into questions of interpretation and hermeneutics. It is that fundamental gap, that this book seeks to fill. Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but interdependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal tone, and lyrics. These latter areas are highly significant in the experience of many listeners, but are frequently ignored or poorly treated in analytical work. Moore continues by developing a range of hermeneutic strategies largely drawn from outside the field (strategies originating, in the most part, within psychology and philosophy) but still deeply relevant to the experience of song.

English | 2022 | ISBN: 1484278011 | 355 pages | True (PDF,EPUB) | 27.23 MB

Interpreting Machine Learning Models | 27.23 MB
English | 355 Pages

Title: Interpreting Machine Learning Models
Author: Anirban Nandi, Aditya Kumar Pal
Year: 2022

English | 2021 | ISBN: 1597183210 | 610 pages | True EPUB | 16.29 MB
Interpreting and Visualizing Regression Models Using Stata, Second Editionprovides clear and simple examples illustrating how to interpret and visualize a wide variety of regression models. Including over 200 figures, the book illustrates linear models with continuous predictors (modeled linearly, using polynomials, and piecewise), interactions of continuous predictors, categorical predictors, interactions of categorical predictors, and interactions of continuous and categorical predictors. The book also illustrates how to interpret and visualize results from multilevel models, models where time is a continuous predictor, models with time as a categorical predictor, nonlinear models (such as logistic or ordinal logistic regression), and models involving complex survey data. The examples illustrate the use of themargins,marginsDescription,contrast, andpwcompare commands. This new edition reflects new and enhanced features added to Stata, most importantly the ability to label statistical output using value labels associated with factor variables. As a result, output regarding marital status is labeled using intuitive labels like Married and Unmarried instead of using numeric values such as 1 and 2. All the statistical output in this new edition capitalizes on this new feature, emphasizing the interpretation of results based on variables labeled using intuitive value labels. Additionally, this second edition illustrates other new features, such as using transparency in graphics to more clearly visualize overlapping confidence intervals and using small sample-size estimation with mixed models. If you ever find yourself wishing for simple and straightforward advice about how to interpret and visualize regression models using Stata, this book is for you.