Brian Meeks, "After the Postcolonial Caribbean: Memory, Imagination, Hope "
English | ISBN: 0745347908 | 2022 | 232 pages | EPUB | 3 MB
Examines the history, and possible futures, of radical politics in the postcolonial Caribbean.

Force of Imagination: The Sense of the Elemental By John Sallis
2000 | 256 Pages | ISBN: 0253337720 | PDF | 27 MB
Force of ImaginationThe Sense of the ElementalJohn SallisA bold and original investigation into how imagination shapes thought and feeling."This is a bold new direction for the author, one that he takes in an arresting and convincing manner.... a powerful, original approach to what others call 'ecology' but what Sallis shows to be a question of the status of the earth in philosophical thinking at this historical moment." -Edward S. CaseyIn this major original work, John Sallis probes the very nature of imagination and reveals how the force of imagination extends into all spheres of human life. While drawing critically on the entire history of philosophy, Sallis's work takes up a vantage point determined by the contemporary deconstruction of the classical opposition between sensible and intelligible. Thus, in reinterrogating the nature of imagination, Force of Imagination carries out a radical turn to the sensible and to the elemental in nature. Liberated from subjectivity, imagination is shown to play a decisive role both in drawing together the moments of our experience of sensible things and in opening experience to the encompassing light, atmosphere, earth, and sky. Set within this elemental expanse, the human sense of time, of self, and of the other proves to be inextricably linked to imagination and to nature. By showing how imagination is formative for the very opening upon things and elements, this work points to the revealing power of poetic imagination and casts a new light on the nature of art.John Sallis is Liberal Arts Professor of Philosophy at Pennsylvania State University. His previous books include Being and Logos: Reading the Platonic Dialogues; Shades-Of Painting at the Limit; Stone; Chorology: On Beginning in Plato's Timaeus (all published by Indiana University Press), Crossings: Nietzsche and the Space of Tragedy and Double Truth.Studies in Continental Thought-John Sallis, editorContentsProlusionsOn (Not Simply) BeginningRemembranceDuplicity of the ImageSpacing the ImageTractive ImaginationThe ElementalTemporalitiesProprietiesPoetic Imagination

Oceania and the Victorian Imagination: Where All Things Are Possible By Richard D. Fulton and Peter H. Hoffenberg
2013 | 220 Pages | ISBN: 1409457117 | PDF | 2 MB
Oceania, or the South Pacific, loomed large in the Victorian popular imagination. It was a world that interested the Victorians for many reasons, all of which suggested to them that everything was possible there. This collection of essays focuses on Oceania's impact on Victorian culture, most notably travel writing, photography, international exhibitions, literature, and the world of children. Each of these had significant impact. The literature discussed affected mainly the middle and upper classes, while exhibitions and photography reached down into the working classes, as did missionary presentations. The experience of children was central to the Pacific's effects, as youthful encounters at exhibitions, chapel, home, or school formed lifelong impressions and experience. It would be difficult to fully understand the Victorians as they understood themselves without considering their engagement with Oceania. While the contributions of India and Africa to the nineteenth-century imagination have been well-documented, examinations of the contributions of Oceania have remained on the periphery of Victorian studies. Oceania and the Victorian Imagination contributes significantly to our discussion of the non-peripheral place of Oceania in Victorian culture.

Joseph MacKay, "The Counterinsurgent Imagination "
English | ISBN: 1009225820 | 2023 | 322 pages | PDF | 1247 KB
Counterinsurgency, the violent suppression of armed insurrection, is among the dominant kinds of war in contemporary world politics. Often linked to protecting populations and reconstructing legitimate political orders, it has appeared in other times and places in very different forms - and has taken on a range of politics in doing so. How did it arrive at its present form, and what generated these others, along the way? Spanning several centuries and four detailed case studies, The Counterinsurgent Imagination unpacks and explores this intellectual history through counterinsurgency manuals. These military theoretical and instructional texts, and the practitioners who produced them, made counterinsurgency possible in practice. By interrogating these processes, this book explains how counter-insurrectionary war eventually took on its late twentieth and early twenty-first century forms. It shows how and why counterinsurgent ideas persist, despite recurring failures.

Imagination and Invention
by Simondon, Gilbert;Hughes, Joe;Wall-Romana, Christophe;
English | 2023 | ISBN: 1517914450 | 241 pages | True PDF | 7.94 MB

Imagination Beyond Nation: Latin American Popular Culture By Eva Bueno; Eva Bueno; Terry Caesar
1999 | 328 Pages | ISBN: 0822956861 | PDF | 9 MB
Can scholarly pursuit of soap operas and folk art actually reveal a national imagination? This innovative collection features studies of iconography in Mexico, telenovelas in Venezuela, drama in Chile, cinema in Brazil, comic strips and tango in Argentina, and ceramics in Peru. In examining these popular arts, the scholars gathered here ask the same broad questions: what precisely is a national culture at the level of the popular? The national idea in Latin America emerges from these pages as a problematic, divided one, worth sustained attention in the field of culture studies. Many different arts come forth in all their richness and vitality, compelling us to look, listen, and understand.

Topophrenia: Place, Narrative, and the Spatial Imagination By Robert T. Tally Jr
2019 | 226 Pages | ISBN: 0253037700 | PDF | 2 MB
What is our place in the world, and how do we inhabit, understand, and represent this place to others? Topophrenia gathers essays by Robert Tally that explore the relationship between space, place, and mapping, on the one hand, and literary criticism, history, and theory on the other. The book provides an introduction to spatial literary studies, exploring in detail the theory and practice of geocriticism, literary cartography, and the spatial humanities more generally. The spatial anxiety of disorientation and the need to know one's location, even if only subconsciously, is a deeply felt and shared human experience. Building on Yi Fu Tuan's topophilia (or love of place), Tally instead considers the notion of topophrenia as a simultaneous sense of place-consciousness coupled with a feeling of disorder, anxiety, and dis-ease. He argues that no effective geography could be complete without also incorporating an awareness of the lonely, loathsome, or frightening spaces that condition our understanding of that space. Tally considers the tension between the objective ordering of a space and the subjective ways in which narrative worlds are constructed. Narrative maps present a way of understanding that seems realistic but is completely figurative. So how can these maps be used to not only understand the real world but also to put up an alternative vision of what that world might otherwise be? From Tolkien to Cervantes, Borges to More, Topophrenia provides a clear and compelling explanation of how geocriticism, the spatial humanities, and literary cartography help us to narrate, represent, and understand our place in a constantly changing world.

Glenda Elizabeth Gilmore, "Romare Bearden in the Homeland of His Imagination: An Artist's Reckoning with the South "
English | ISBN: 146966786X | 2022 | 176 pages | EPUB | 20 MB
Romare Bearden (1911-1988), one of the most prolific, original, and acclaimed American artists of the twentieth century, richly depicted scenes and figures rooted in the American South and the Black experience. Bearden hailed from North Carolina but was forced to relocate to the North when a white mob harassed his family in the 1910s. His family story is a compelling, complicated saga of Black middle-class achievement in the face of relentless waves of white supremacy. It is also a narrative of the generational trauma that slavery and racism inflicted over decades. But as Glenda Gilmore reveals in this trenchant reappraisal of Bearden's life and art, his work reveals his deep imagination, extensive training, and rich knowledge of art history.

Amy Kind, "Imagination and Creative Thinking "
English | ISBN: 1108977227 | 2022 | 72 pages | PDF | 2 MB
This Element explores the nature of both imagination and creative thinking in an effort to understand the relation between them and also to understand their role in the vast array of activities in which they are typically implicated, from art, music, and literature to technology, medicine, and science. Focusing on the contemporary philosophical literature, it will take up several interrelated questions: What is imagination, and how does it fit into the cognitive architecture of the mind? What is creativity? Is imagination required for creativity? Is creativity required for imagination? Is a person simply born either imaginative or not (and likewise, either creative or not), or are imagination and creativity skills that can be cultivated? And finally, are imagination and creativity uniquely human capacities, or can they be had by nonbiological entities such as AI systems?

The Pan American Imagination: Contested Visions of the Hemisphere in Twentieth-Century Literature By Stephen M. Park
2014 | 288 Pages | ISBN: 0813936659 | PDF | 11 MB
In the history of the early twentieth-century Americas, visions of hemispheric unity flourished, and the notion of a transnational American identity was embraced by artists, intellectuals, and government institutions. In The Pan American Imagination, Stephen Park explores the work of several Pan American modernists who challenged the body of knowledge being produced about Latin America, crossing the disciplinary boundaries of academia as well as the formal boundaries of artistic expression―from literary texts and travel writing to photography, painting, and dance. Park invests in an interdisciplinary approach, which he frames as a politically resistant intellectual practice, using it not only to examine the historical phenomenon of Pan Americanism but also to explore the implications for current transnational scholarship.