Information Now: A Graphic Guide to Student Research and Web Literacy, 2nd Edition by Kevin Cannon, C. Michael Hall, Matt Upson, Holly Reiter
English | May 20, 2021 | ISBN: 022676611X | True PDF | 131 pages | 48.3 MB
Today's information environments are complex, and learning how to find relevant and reliable information online, as well as how to fact-check and evaluate that information, is essential. Enter Information Now, a graphic guide that uses humor and sequential art to teach students about information, research, and the web.

Rebecca B. Clark, "American Graphic: Disgust and Data in Contemporary Literature "
English | ISBN: 1503630978 | 2022 | 308 pages | PDF | 10 MB
What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the geometrically streamlined in the form of graphs, diagrams, and user interfaces. Clark's innovation is to ask what happens when the same moment in a work of literature is graphic in both ways at once. Her answer suggests the graphic turn in contemporary literature is intimately implicated in the fraught dynamics of identification. As Clark reveals, this double graphic indexes the unseemliness of a lust-in our current culture of information-for cool epistemological mastery over the bodies of others. Clark analyzes the contemporary graphic along three specific axes: the ethnographic, the pornographic, and the infographic. In each chapter, Clark's explication of the double graphic reads a canonical author against literary, visual and/or performance works by Black and/or female creators. Pairing works by Edgar Allan Poe, Vladimir Nabokov, and Thomas Pynchon with pieces by Mat Johnson, Kara Walker, Fran Ross, Narcissister, and Teju Cole, Clark tests the effects and affects of the double graphic across racialized and gendered axes of differences.

Published 12/2022
Created by Edmund P Obiri, M.Tech
MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz, 2 Ch
Genre: eLearning | Language: English | Duration: 37 Lectures ( 3h 54m ) | Size: 1.97 GB

The Young C.L.R. James: A Graphic Novelette By Lawrence Ware; Paul Buhle
2018 | 44 Pages | ISBN: 1629635146 | PDF | 11 MB
This unique comic by Milton Knight illuminates the early years of C.L.R. James (1901-1989), known in much later years as the "last great Pan-Africanist." The son of a provincial school administrator in British-governed Trinidad, James disappointed his family by embracing the culture and passions of the colonial underclass, Carnival and cricket. He joined the literary avant-garde of the island before leaving for Britain. In the UK, James swiftly became a beloved cricket journalist, playwright for his close friend Paul Robeson, and a pathbreaking scholar of black history with The Black Jacobins (1938), the first history of the Haitian revolt. The artistic skills of Milton Knight, at once acute and provocative, bring out James's unique personality, how it arose, and how he became a world figure.

Graphic Communication Design Secrets: Effective Web Design Principles That Every Designer Should Know | Tips For Building A Better Website And Attract New Customers To Your Business by Dominik Schultz
English | 2022 | ISBN: N/A | ASIN: B0BQ3XQYRY | 460 pages | EPUB | 15 Mb
Learn everything there is to know, from project planning through marketing and analytics, about Web design!

Last updated 5/2021
MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz
Language: English | Size: 1.92 GB | Duration: 3h 37m
Learn CorelDraw From the Scratch to Advanced Level in easy and step by step Explanation. Projects & Assignment included

Abina and the Important Men: A Graphic History By Trevor R. Getz
2011 | 179 Pages | ISBN: 0199844399 | PDF | 150 MB
Abina and the Important Men is a compelling and powerfully illustrated "graphic history" based on an 1876 court transcript of a West African woman named Abina, who was wrongfully enslaved and took her case to court. The book is a microhistory that does much more than simply depict an event inthe past; it uses the power of illustration to convey important themes in world history and to reveal the processes by which history is made. The story of Abina Mansah--a woman "without history" who was wrongfully enslaved, escaped to British-controlled territory, and then took her former master to court--takes place in the complex world of the Gold Coast at the onset of late nineteenth-century colonialism. Slavery becomes a contestedground, as cultural practices collide with an emerging wage economy and British officials turn a blind eye to the presence of underpaid domestic workers in the households of African merchants. The main scenes of the story take place in the courtroom, where Abina strives to convince a series of"important men"--a British judge, two Euro-African attorneys, a wealthy African country "gentleman," and a jury of local leaders--that her rights matter. "Am I free?" Abina inquires. Throughout both the court case and the flashbacks that dramatically depict her life in servitude, these men strive to"silence" Abina and to impose their own understandings and meanings upon her. The story seems to conclude with the short-term success of the "important men," as Abina loses her case. But it doesn't end there: Abina is eventually redeemed. Her testimony is uncovered in the dusty archives by TrevorGetz and, through Liz Clarke's illustrations, becomes a graphic history read by people around the world. In this way, the reader takes an active part in the story along with the illustrator, the author, and Abina herself. Following the graphic history in Part I, Parts II-V provide detailed historical context for the story, a reading guide that reconstructs and deconstructs the methods used to interpret the story, and strategies for using Abina in various classroom settings.

Graphic Novels as Philosophy By Jeff McLaughlin
2017 | 228 Pages | ISBN: 1496813278 | PDF | 2 MB
Contributions by Eric Bain-Selbo, Jeremy Barris, Maria Botero, Manuel "Mandel" Cabrera Jr., David J. Leichter, Ian MacRae, Alfonso Munoz-Corcuera, Corry Shores, and Jarkko S. TuusvuoriIn a follow-up to Comics as Philosophy, international contributors address two questions: Which philosophical insights, concepts, and tools can shed light on the graphic novel? And how can the graphic novel cast light on the concerns of philosophy? Each contributor ponders a well-known graphic novel to illuminate ways in which philosophy can untangle particular combinations of image and written word for deeper understanding.Jeff McLaughlin collects a range of essays to examine notable graphic novels within the framework posited by these two questions. One essay discusses how a philosopher discovered that the panels in Jeff Lemire's Essex County do not just replicate a philosophical argument, but they actually give evidence to an argument that could not have existed otherwise. Another essay reveals how Chris Ware's manipulation of the medium demonstrates an important sense of time and experience. Still another describes why Maus tends to be more profound than later works that address the Holocaust because of, not in spite of, the fact that the characters are cartoon animals rather than human.Other works contemplated include Will Eisner's A Contract with God, Alan Moore and David Lloyd's V for Vendetta, Alison Bechdel's Fun Home, and Joe Sacco's Footnotes in Gaza. Mainly, each essay, contributor, graphic novelist, and artist are all doing the same thing: trying to tell us how the world is--at least from their point of view.

Drawing on the Victorians: The Palimpsest of Victorian and Neo-Victorian Graphic Texts By Anna Maria Jones (editor), Rebecca N. Mitchell (editor)
2016 | 400 Pages | ISBN: 0821422472 | PDF | 11 MB
Late nineteenth-century Britain experienced an unprecedented explosion of visual print culture and a simultaneous rise in literacy across social classes. New printing technologies facilitated quick and cheap dissemination of images-illustrated books, periodicals, cartoons, comics, and ephemera-to a mass readership. This Victorian visual turn prefigured the present-day impact of the Internet on how images are produced and shared, both driving and reflecting the visual culture of its time.From this starting point, Drawing on the Victorians sets out to explore the relationship between Victorian graphic texts and today's steampunk, manga, and other neo-Victorian genres that emulate and reinterpret their predecessors. Neo-Victorianism is a flourishing worldwide phenomenon, but one whose relationship with the texts from which it takes its inspiration remains underexplored.In this collection, scholars from literary studies, cultural studies, and art history consider contemporary works-Alan Moore's League of Extraordinary Gentlemen, Moto Naoko's Lady Victorian, and Edward Gorey's Gashlycrumb Tinies, among others-alongside their antecedents, from Punch's 1897 Jubilee issue to Alice in Wonderland and more. They build on previous work on neo-Victorianism to affirm that the past not only influences but converses with the present.Contributors: Christine Ferguson, Kate Flint, Anna Maria Jones, Linda K. Hughes, Heidi Kaufman, Brian Maidment, Rebecca N. Mitchell, Jennifer Phegley, Monika Pietrzak-Franger, Peter W. Sinnema, Jessica Straley

English | 2022 | ISBN: 019764502X | 649 pages | True PDF EPUB | 54.64 MB
Realism is one of the core theories within the field of international relations, and it generally posits a state system characterized by anarchy where states act in what they perceive to be their own self interests. It is a controversial theory, and it has many opponents. Yet effective debate among realists and those who identify with other schools of thought has diminished dramatically over time. As Patrick James argues in Realism and International Relations , scholars in the field have become dissatisfied with results from exchanges in words alone. He contends that translation of the vast amount of information in the field into knowledge requires a greater emphasis on communication beyond the use of text. Given the challenges posed by existing and intensifying information overload, he develops a new model that relies on the graphic representation of analytical arguments.
As James explains, realist scholarship in the post-World War II era is the natural domain for the application of systemism, a graphic form of expression with straightforward rules for portrayal of analytical arguments, notably cause and effect within theories. Systemism goes beyond prior iterations of systems theory to offer a visualization technique borrowed and adapted from the philosophy of science. Systemist graphics reveal the shortcomings, contributions and potential of realism. These visualizations, which focus on realist theories about war, are intended to bring order out of what critics tend to describe, with some justification, as chaos. In sum, a graphic turn for realism in particular and international relations in general is essential in order to achieve the scientific progress that otherwise is likely to remain elusive. A major theoretical work by an eminent scholar, this will be of interest to all theorists focusing how the international system of states actually functions.