Tristian Evans Shared Meanings in the Film Music of Philip Glass Music Multimedia and Postminimalism
pdf | 3.06 MB | English | Isbn:‎ 978-0367598044 | Author: Evans, Tristian. | Year: 2020

The Encyclopedia of Novels Into Film, 2nd Edition
By John C. Tibbetts, James M. Welsh
2005 | ISBN : 0816054495 | English | 609 pages | PDF | 10 MB

Robert S. Lesman, "Translating Cuba: Literature, Music, Film, Politics "
English | ISBN: 0367456435 | 2021 | 194 pages | PDF | 2 MB
Cuban culture has long been available to English speakers via translation. This study examines the complex ways in which English renderings of Cuban texts from various domains―poetry, science fiction, political and military writing, music, film―have represented, reshaped, or amended original texts. Taking in a broad corpus, it becomes clear that the mental image an Anglophone audience has formed of Cuban culture since 1959 depends heavily on the decisions of translators. At times, a clear ideological agenda drives moves like strengthening the denunciatory tone of a song or excising passages from a political text. At other moments, translators' indifference to the importance of certain facets of a work, such as a film's onscreen text or the lyrics sung on a musical performance, impoverishes the English speaker's experience of the rich weave of self-expression in the original Spanish. In addition to the dynamics at work in the choices translators make at the level of the text itself, this study attends to how paratexts like prefaces, footnotes, liner notes, and promotional copy shape the audience's experience of the text.

Rereading East Germany: The Literature and Film of the GDR By Karen Leeder (ed.)
2015 | 280 Pages | ISBN: 1107006368 | PDF | 5 MB
This volume is the first to address the culture of the German Democratic Republic (GDR) as a historical entity, but also to trace the afterlife of East Germany in the decades since the fall of the Berlin Wall. An international team of outstanding scholars offers essential and thought-provoking essays, combining a chronological and genre-based overview from the beginning of the GDR in 1949 to the unification in 1990 and beyond, with in-depth analysis of individual works. A final chapter traces the resonance of the GDR in the years since its demise and analyses the fascination it engenders. The volume provides a 'rereading' of East Germany and its legacy as a cultural phenomenon free from the prejudices that prevailed while it existed, offering English translations throughout, a guide to further reading and a chronology.

Phil Powrie, "The French Film Musical"
English | ISBN: 1501329804 | 2020 | 312 pages | PDF | 26 MB
Like many national cinemas, the French cinema has a rich tradition of film musicals beginning with the advent of sound to the present. This is the first book to chart the development of the French film musical.

Appetites and Anxieties: Food, Film, and the Politics of Representation
By Cynthia Baron
2013 | ISBN : 0814334318 | English | 346 pages | PDF | 18 MB

MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz, 2 Ch
Genre: eLearning | Language: English + srt | Duration: 32 lectures (7h 22m) | Size: 8 GB
How to use your DSLR and Smartphone together to shoot better and faster broadcast quality video

Surrealism and film after 1945: Absolutely modern mysteries by Kristoffer Noheden, Abigail Susik
2021 | ISBN: 1526149982 | English | 272 pages | PDF | 8.7 MB

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Duration: 5h 38m | Video: .MP4 1280x720, 30 fps(r) | Audio: AAC, 44100 Hz, 2ch | Size: 3.55 GB
Genre: eLearning | Language: English
Is there a story you have been wanting to turn into a short film?

Experiencing Cinema: Participatory Film Cultures, Immersive Media and the Experience Economy by Emma Pett
English | Feb 25, 2021 | ISBN: 1501352040 | 248 pages | PDF | 1,5 MB
Film is often conceived as a medium that is watched rather than experienced. Existing studies of film audiences, and of media reception more broadly, have revealed the complexity of viewing practices and cultures surrounding cinema-going and its exhibition spaces. Experiencing Cinema offers the first in-depth study of participant engagement with a range of experiential media forms derived from cinema culture. From sing-a-long screenings to theatrical extravaganzas, a broad spectrum of alternative film-going practices and immersive spaces are explored and analysed in this original audience study.