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E-BooksReading Illustrated Fiction in Late Imperial China



Reading Illustrated Fiction in Late Imperial China
Free Download Reading Illustrated Fiction in Late Imperial China By Robert E. Hegel
1998 | 489 Pages | ISBN: 0804730024 | PDF | 36 MB
This work explores significant physical aspects of the printed book in late imperial China to reconstruct the changing assumptions with which Chinese popular novels were originally read from the sixteenth through nineteenth centuries. It focuses on the previously neglected areas of book format, varieties of illustrations and their significance, and the theory and practice of reading illustrated narratives.The author first considers the physical book itself, as a vehicle for reading and as an object for visual enjoyment, tracing the development of the format commonly used for popular reading materials, the blockprinted book in sewn volumes with illustrations. He describes the technological progress that made book production efficient and economical by the middle of the sixteenth century, and makes extensive comparisons between the physical characteristics of novels and books of more artistically refined content.The focus of the study then shifts to the illustrations that accompanied virtually all printed materials during the period when popular fiction became common. They are found to consist of a range of conventional elements that are related to images in more refined arts, such as the paintings of the literati and the decorations produced by commercial artists. Close parallels in both content and pictorial motifs between these various levels of painting and book illustrations suggest a continuum of the arts on which the pictures in mass-produced fiction initially held a respectable position.The final chapters assert, from a theoretical perspective, the function of illustrations in narratives as a guide or a hindrance to reading. The author demonstrates the correspondencebetween the later decline of fiction illustrations and the growth in reading audiences, explaining this connection as a function of flagging interest in pictures -- which often interfere with, rather than promote, the visualization so essential to reading for pleasure in other cultures as well.Throughout, the author incorporates findings from the history of technology, new explorations in the development of commerce in cultural objects, recent research on the commercial arts, and the latest theories of reading for pleasure to situate -- and explain -- the numerous changes in popular literary trends during the last several centuries of imperial Chinese rule.



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E-BooksOwen Barfield's Poetry, Drama, and Fiction Rider on Pegasus



Owen Barfield's Poetry, Drama, and Fiction Rider on Pegasus
Free Download Owen Barfield's Poetry, Drama, and Fiction: Rider on Pegasus
by Jeffrey Hipolito
English | 2024 | ISBN: 1032701455 | 225 Pages | True PDF | 19 MB



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E-BooksMasterpieces of short fiction



Masterpieces of short fiction
Free Download Masterpieces of short fiction By Krasny, Michael
2008 | 63 Pages | ISBN: 1598034405 | PDF | 1 MB
"This course takes you on an exciting ride through an itinerary that samples 23 of the world's greatest short stories. The form of the genre, as well as the various ways in which it has evolved, is highlighted along the way with a display of the essential nuts and bolts of storytelling-- Description, character, setting, style, point of view, and theme. A mix of critical approaches will also be brought in to enhance analysis and interpretation and to explore some of the ways we judge and evaluate short fiction"--Page 1 ooklet 1.



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E-BooksLexikon der deutschsprachigen Science Fiction–Literatur seit 1900 mit einem Blick auf Osteuropa



Lexikon der deutschsprachigen Science Fiction–Literatur seit 1900 mit einem Blick auf Osteuropa
Free Download Lexikon der deutschsprachigen Science Fiction-Literatur seit 1900 mit einem Blick auf Osteuropa By Christoph F. Lorenz
2017 | 636 Pages | ISBN: 3653067790 | PDF | 27 MB
Das Lexikon enthält Informationen über Biographie, Werkanalyse und bibliographische Angaben wichtiger Autoren der deutschsprachigen Fantasy und Science Fiction im 20. und 21. Jahrhundert. Überblicksartikel befassen sich darüber hinaus mit Fragen des Genres, deutscher Literatur vor und nach 1945, skandinavischen Werken seit 1900, osteuropäischen Werken und angloamerikanischer Fiktion.



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E-BooksHistory Meets Fiction



History Meets Fiction
Free Download History Meets Fiction By Beverley Southgate
2009 | 215 Pages | ISBN: 1408220121 | EPUB | 3 MB
Is history factual, or just another form of fiction?Are there distinct boundaries between the two, or just extensive borderlands?How do novelists represent historians and history? The relationship between history and fiction has always been contentious and sometimes turbulent, not least because the two have traditionally been seen as mutually exclusive opposites. However, new hybrid forms of writing - from historical fiction to docudramas to fictionalised biographies - have led to the blurring of boundaries, and given rise to the claim that history itself is just another form of fiction. In his thought-provoking new book, Beverley Southgate untangles this knotty relationship, setting his discussion in a broad historical and philosophical context. Throughout, Southgate invokes a variety of writers to illuminate his arguments, from Dickens and Proust, through Virginia Woolf and Daphne du Maurier, to such contemporary novelists as Tim O'Brien, Penelope Lively, and Graham Swift. Anyone interested in the many meeting points between history and fiction will find this an engaging, accessible and stimulating read.



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E-BooksGay Male Fiction Since Stonewall Ideology, Conflict, and Aesthetics



Gay Male Fiction Since Stonewall Ideology, Conflict, and Aesthetics
Free Download Les Brookes, "Gay Male Fiction Since Stonewall: Ideology, Conflict, and Aesthetics"
English | 2008 | pages: 241 | ISBN: 0415962447 | PDF | 2,1 mb
The conflict between assimilationism and radicalism that has riven gay culture since Stonewall became highly visible in the 1990s with the emergence and challenge of queer theory and politics. The conflict predates Stonewall, however―indeed, Jonathan Dollimore describes it as "one of the most fundamental antagonisms within sexual dissidence over the past century." By focusing on fiction by Edmund White, Andrew Holleran, David Leavitt, Michael Cunningham, Alan Hollinghurst, Dennis Cooper, Adam Mars-Jones and others, Brookes argues that gay fiction is torn between assimilative and radical impulses. He posits the existence of two distinct strands of gay fiction, but also aims to show the conflict as an internal one, a struggle in which opposing impulses are at work within individual texts. This book places post-Stonewall gay fiction in context by linking it to theoretical and historical developments since the late nineteenth century, and tracing the conflict back to the fiction of Wilde, Forster, Genet, Vidal, Burroughs and Isherwood. Other relevant topics discussed include gay fiction of the 1970s; gays and the family; sexual transgression; gay fiction and the AIDS epidemic.



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E-BooksFrench and German Gothic Fiction in the Late Eighteenth Century



French and German Gothic Fiction in the Late Eighteenth Century
Free Download French and German Gothic Fiction in the Late Eighteenth Century By Daniel Hall
2005 | 294 Pages | ISBN: 3039100777 | PDF | 15 MB
The literature of terror and horror continues to fascinate readers both casual and more critical, and it has long been recognised as an international, not merely British, phenomenon. This study provides an in-depth and text-based analysis of Gothic fiction in France and Germany from earlier literary traditions, through the influence of the English Gothic novel, to an extraordinary popularity and dominance by the end of the eighteenth century. It examines how some of the motifs most closely associated with the Gothic - secret societies, the supernatural and suspense, among others - are the product of an uncertain age, and how the use of those motifs differed not just across languages and borders, which in fact the Gothic often crossed with ease, but according to the views, concerns and sometimes insecurities of individual authors. What emerges is a complex genre more diverse than any 'list of Gothic ingredients' would have us believe. Many of the notions and devices explored by the French and German Gothic then continue to intrigue, disturb and unsettle today.



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E-BooksFiction Blurbs The Best Page Forward Way



Fiction Blurbs The Best Page Forward Way
Free Download Fiction Blurbs The Best Page Forward Way: The Step-by-Step Guide to Win over Readers, Sell More Books, and Market Like a Pro
by Phoebe J. Ravencraft and Bryan Cohen
English | 2022 | ASIN: B0BBQ1653H | 180 Pages | True ePUB | 0.58 MB



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Video TrainingMasterclass In Mystery The Fiction Writers Guide To Clues



Masterclass In Mystery The Fiction Writers Guide To Clues
Free Download Masterclass In Mystery The Fiction Writers Guide To Clues
Published 2/2024
MP4 | Video: h264, 1920x1080 | Audio: AAC, 44.1 KHz
Language: English | Size: 968.61 MB | Duration: 0h 52m
Unlock the Secrets of Creative Writing & Craft Unforgettable Mystery and Detective Fiction



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E-BooksWomen's Tanci Fiction in Late Imperial and Early Twentieth–Century China



Women's Tanci Fiction in Late Imperial and Early Twentieth–Century China
Free Download Li Guo, "Women's Tanci Fiction in Late Imperial and Early Twentieth-Century China "
English | ISBN: 1557537135 | 2015 | 320 pages | EPUB | 10 MB
In Women's Tanci Fiction in Late Imperial and Early Modern China, Li Guo presents the first book-length study in English of women's tanci fiction, the distinctive Chinese form of narrative written in rhymed lines during the late imperial to early modern period (related to, but different from, the orally performed version also called tanci) She explores the tradition through a comparative analysis of five seminal texts. Guo argues that Chinese women writers of the period position the personal within the diegesis in order to reconfigure their moral commitments and personal desires. By fashioning a "feminine" representation of subjectivity, tanci writers found a habitable space of self-expression in the male-dominated literary tradition.Through her discussion of the emergence, evolution, and impact of women's tanci, Guo shows how historical forces acting on the formation of the genre serve as the background for an investigation of cross-dressing, self-portraiture, and authorial self-representation. Further, Guo approaches anew the concept of "woman-oriented perspective" and argues that this perspective conceptualizes a narrative framework in which the heroine (s) are endowed with mobility to exercise their talent and power as social beings as men's equals. Such a woman-oriented perspective redefines normalized gender roles with an eye to exposing women's potentialities to transform historical and social customs in order to engender a world with better prospects for women.



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