English | 2021 | ISBN: 0367531437 | 253 pages | True PDF | 20.35 MB
This book presents a new, story-based approach to cinematic coverage and storytelling in film and video. It breaks from the conventional idea that shots are the fundamental unit of filmmaking, instead exploring the specifics of determining coverage. Keyframes in patterns are introduced, delivering scripted material in a context-rich presentation that supports the storytelling.
All the analysis, interpretation, and creative decision making is done first, with shots derived as the very last step. Scripted material is divided into six categories with associated patterns. Like cinematic building blocks, these can freely stack up and interconnect, supporting creativity and avoiding rigid formulas. This approach enables filmmakers to tap into the film "language" that audiences already understand and put it to practical use, helping the audience to feel the storytelling deeply. Dozens of film examples are provided throughout, plus conceptual and camera diagrams to contextualize the methods presented, and exercises are provided to reinforce concepts. Emphasis is placed on supporting performance and story meaning through a cinematic context. With all the concepts and decision-making options described and shown in examples, a scripted scene is analyzed and developed through an eight-step process, illustrated with storyboard, camera diagrams, and ultimately shot list descriptions.

MP4 | Video: h264, 1920x1080 | Audio: AAC, 44.1 KHz
Language: English | Size: 711 MB | Duration: 1.3 hours
This is a course for artists and designers who are interested in motion graphics. In this course, you will learn how to create a modern, atmospheric text animation that you can use for your movie trailers, video effects, and animated sequences.

Vojislava Filipcevic Cordes, "New York in Cinematic Imagination: The Agitated City"
English | ISBN: 0367247569 | 2020 | 254 pages | PDF | 22 MB
New York in Cinematic Imagination is an interdisciplinary study into urbanism and cinematic representations of the American metropolis in the twentieth century. It contextualizes spatial transformations and discourse about New York during the Great Depression and the Second World War, examining both imaginary narratives and documentary images of the city in film.

Gothic Machine: Textualities, Pre-cinematic Media and Film in Popular Visual Culture 1670-1910 By David J. Jones
2012 | 240 Pages | ISBN: 070832407X | EPUB | 2 MB
InGothic Machine, David Jones reveals the intriguing relationships between Gothic literature, film, and the media existing prior to the advent of the cinema. Jones tracks the Gothic horror genre from its earliest days as literature, through phantasmagoria and the magic lantern shows of the Victorian period, to the early films of the 1890s, and finally to the first motion picture adaptation of Mary Shelley'sFrankensteinin 1910. Among the numerous personalities that appear in Jones's study are the Marquis de Sade; Étienne-Gaspard Robert, or "Robertson"; Friedrich Schiller, and the Lumière brothers.

Cinematic perspectives on international law by Olivier Corten, Francois Dubuisson
2021 | ISBN: 1526149915 | English | 248 pages | PDF | 1 MB
The proposed volume consists of an edited collection within the new Melland Schill Guidebooks on International Law (MSGIL) series. In line with the MSGIL objective of inclusiveness, originality, perspectivism and critical thought, the book is the first of an intended series pertaining to perspectives related to the ways in which the arts influence the perception and attitude of the public towards international law, and the manner this affects the discipline, both in terms of its own development and in terms of its social legitimacy. The book contrasts the narratives of international law depicted in cinema and TV productions with the corresponding narratives advanced by legal scholars. It identifies a cognitive dissonance between them and ascertains its implications on general perceptions of international law.

Cinematic Studio Series - Cinematic Studio Woodwinds v1.3 KONTAKT | 90.5 Gb
Cinematic Studio Woodwinds is a superbly versatile library that will add a new and important dimension to your musical palette. With the gorgeous sound and stunning realism of these instruments you'll find yourself wanting to feature woodwinds in your musical creations in new and exciting ways. Boasting the same intuitive and efficient GUI as the strings and brass, CSW is designed to perfectly complement the rest of the Cinematic Studio Series.

Triune Digital Cinematic Scores WAV | 8.8 Gb
Triune Digital Cinematic Scores includes 30 royalty free tracks composed by Kyle McCuiston, all in .wav format. 30 Royalty Free tracks composed by Kyle McCuiston. Inspired by 10 incredible films. Each film's style broken into 3 feels - Main, Action, and Suspense. All tracks include broken out stems for full customization. Additional Hits and Risers for easy editing. All in .wav format.

Toontrack EZkeys Cinematic Pads v1.3.0 WiN | 278 Mb
For most of us, the anatomy of sound and its inner workings as a creative catalyst is a peculiar thing. The moment we hear something we can't define - a new instrument - our minds inevitably open up to interpretations beyond the convention. Sound becomes visuals that in turn transform into tangible ideas. This library of sounds for EZkeys is a prime example of just that.

CGFasttrack - Blender Car Series Vol 3 Cinematic Studio Lighting
English | Size: 745.1MB
Category: Tutorial