Magazine → Bringing History to Life-26 March 2022

Published by: Emperor2011 on 5-04-2022, 17:02 | 0

Bringing History to Life-26 March 2022
English | 126 Pages | PDF | 124.96 MB

Magazine → Bringing History to Life-19 March 2022

Published by: Emperor2011 on 4-04-2022, 17:21 | 0

Bringing History to Life-19 March 2022
English | 126 Pages | PDF | 136.33 MB

Magazine → Bringing History to Life-12 March 2022

Published by: Emperor2011 on 27-03-2022, 14:29 | 0

Bringing History to Life-12 March 2022
English | 126 Pages | PDF | 126.51 MB

Video Training → Udemy - Tokenization Bringing Crypto to the Real World

Published by: voska89 on 21-03-2022, 16:50 | 0

Udemy - Tokenization: Bringing Crypto to the Real World
Instructors: Sam Ghosh | 15 sections * 47 lectures * 1h 9m
Video: MP4 1280x720 44 KHz | English + Sub | Published 3/2022 | Size: 922.229 MB

Magazine → Bringing History to Life - 19 March 2022

Published by: voska89 on 19-03-2022, 04:48 | 0

Bringing History to Life - 19 March 2022
English | 126 pages | PDF | 136.3 MB

E-Books → Bringing Aztlan to Mexican Chicago My Life, My Work, My Art

Published by: voska89 on 14-03-2022, 23:29 | 0

Bringing Aztlan to Mexican Chicago: My Life, My Work, My Art By Jose Gamaliel Gonzalez, Marc Zimmerman
2010 | 216 Pages | ISBN: 0252035380 | PDF | 10 MB
Bringing Aztlán to Mexican Chicago is the autobiography of Jóse Gamaliel González, an impassioned artist willing to risk all for the empowerment of his marginalized and oppressed community. Through recollections emerging in a series of interviews conducted over a period of six years by his friend Marc Zimmerman, González looks back on his life and his role in developing Mexican, Chicano, and Latino art as a fundamental dimension of the city he came to call home. Born near Monterey, Mexico, and raised in a steel mill town in northwest Indiana, González studied art at the School of the Art Institute of Chicago and the University of Notre Dame. Settling in Chicago, he founded two major art groups: El Movimiento Artístico Chicano (MARCH) in the 1970s and Mi Raza Arts Consortium (MIRA) in the 1980s. With numerous illustrations, this book portrays González's all-but-forgotten community advocacy, his commitments and conflicts, and his long struggle to bring quality arts programming to the city. By turns dramatic and humorous, his narrative also covers his bouts of illness, his relationships with other artists and arts promoters, and his place within city and barrio politics.