Joseph P. Swain, "Historical Dictionary of Baroque Music "
English | ISBN: 0810878240 | 2013 | 394 pages | PDF | 4 MB
Although it lies far back, running roughly from about 1600 to 1750, the Baroque period is far from forgotten and Baroque music is played widely today as well, exercising numerous musicians and attracting rather substantial audiences. It experienced the emergence of a new sort of music, increasingly secular and increasingly good listening, if you will, and also the start of opera. Some of the Baroque composers appear among the most popular of all time, such as Bach, Handel and Vivaldi. So yes, this is a book for researchers, but it is also a good book for anyone who enjoys this music.

Baroque Art by Victoria Charles PDF | 51.33 MB
English | 200 Pages

Title: AC Baroque 4C.qxp
Author: prepress2
Year: 2014

American Baroque by Molly A Warsh | 12.83 MB
English | 290 Pages

Title: American Baroque
Author: Warsh, Molly A.;
Year: 2018

Size: 307.5 MB | Total Duration: 02:12:38 | Total Tracks: 30
Format: MPEG Audio | 320 Kbps
Album: Baroque Violin
Artist: VA
Genre: Classical
Date/Year: 2022-01-08

Historical Dictionary of Baroque Art and Architecture | 106.16 MB
English | 642 Pages

Title: Historical Dictionary of Baroque Art and Architecture
Author: Zirpolo, Lilian H.
Year: 2018

Size: 265.07 MB | Total Duration: 01:09:01 | Total Tracks: 16
Format: FLAC | 563 Kbps
Album: Simply Baroque
Artist: Yo-Yo Ma, Ton Koopman, The Amsterdam Baroque Orchestra
Genre: Classical
Date/Year: 2016

Mary Cyr Performing Baroque Music
pdf | 59.22 MB | English | Isbn:‎ B073RPKN4Q | Author: Mary Cyr | Year: 2017

40 Baroque Pieces by 40 Baroque Composers for Easy Classical Guitar by Mark Phillips
English | December 26, 2020 | ISBN: N/A | ASIN: B08R993PX5 | 72 pages | EPUB | 6.73 Mb
Forty relatively short and easy baroque pieces by 40 different baroque composers for classical guitar in standard notation and tablature. Includes: Tomaso Albinoni, ADAGIO (from Sonata da chiesa in F Major, Op. 4, No. 3); Johann Sebastian Bach, ONE THING IS NEEDFUL, O LORD, THIS ONE THING (from the Schemelli Songbook); John Banister, BOURRÉE; Ernst Gottlieb Baron, MINUET (from Lute Suite in A Minor); John Blow, THEATRE TUNE (from Musick's Hand-Maid, Part 2); Giuseppe Antonio Brescianello, ARIA (from Lute Partita No. 6); Dietrich Buxtehude, SARABANDE (from Harpsichord Suite in E Minor, BuxWV 236); Marc-Antoine Charpentier, MINUET I (from Two Minuets for German Flutes, H. 541); Francesco Corbetta, PRELUDE (from Suite in A Minor for Baroque Guitar); Arcangelo Corelli, GAVOTTE (from Concerto Grosso in F Major, Op. 6, No. 9); François Couperin, PRELUDE I (from L'art de toucher le clavecin); Louis-Claude Daquin, MINUET I (from Suite de la réjouissance); Charles Dieupart, GAVOTTE (from Harpsichord Suite No. 4); Johann Christoph Faber, MINUET (from Suite in G Major for Recorder Trio); Adam Falckenhagen, MINUET (from Minuet and Variation); Johann Fischer, AIR ANGLOIS (from Euterpe Suite); Johann Jakob Froberger, COURANTE (from Harpsichord Partita in E Minor, FbWV 607); Christoph Graupner, ARIA (GWV 821); Elisabeth-Claude Jacquet de la Guerre, SARABANDE (from Harpsichord Suite in A Minor); George Frederick Handel, BOURRÉE (from Oboe Sonata in C Minor, HWV 366); ; Johann Adolph Hasse, BOURRÉE; Giovanni Girolamo Kapsperger, RITORNELLO (from Apotheosis sive Consecratio SS Ignatii et Francisci Xaverii); Johann Krebs, MINUET II (from Harpsichord Partita in B-flat Major, WV 823); Johann Krieger, GAVOTTE (from 6 Musikalische Partien); Johann Anton Logy, BALLET; Jean-Baptiste Lully, GAVOTTE; Johann Pachelbel, ARIA II (from Hexachordum Apollinis); Giovanni Battista Pergolesi, ANDANTE (from Trio Sonata in G Minor); Henry Purcell, WHEN I HAVE OFTEN HEARD YOUNG MAIDS (from The Fairy Queen, Z 629); Wenzel Ludwig von Radolt, CANON (from Die aller treüeste Freindin); Jean-Philippe Rameau, LA BOITEUSE (from Harpsichord Suite in D Major, RCT 3); Valentin Rathgeber, ARIA (from Musical Pastime, Op. 22, No. 36); Lodovico Roncalli, SARABANDE (from Suite in G Major for Baroque Guitar); Jacques de Saint-Luc, SARABANDE; Domenico Scarlatti, MINUET (from Harpsichord Sonata No. 40); Johann Sigismund Scholze, ARIA (from Sperontes, singende Muse an der Pleisse, Part 3, No. 23); Georg Philipp Telemann, GAVOTTE; Robert de Visée, GIGUE (from Suite in D Minor for Baroque Guitar); Antonio Vivaldi, GAVOTTE (from Violin Sonata in E Minor, RV 16); Sylvius Leopold Weiss, MINUET (from Lute Suite in F Major).

Severo Sarduy and the Neo-Baroque Image of Thought in the Visual Arts By Rolando Pérez
2012 | 333 Pages | ISBN: 155753604X | PDF | 19 MB
Severo Sarduy never enjoyed the same level of notoriety as did other Latin American writers like García Márquez and Vargas-Llosa, and his compatriot, Cabrera-Infante. On the other hand, he never lacked for excellent critical interpretations of his work from critics like Roberto González Echevarría, René Prieto, Gustavo Guerrero, and other reputable scholars. Missing, however, from what is otherwise an impressive body of critical commentary, is a study of the importance of painting and architecture, firstly, to his theory, and secondly, to his creative work. In order to fill this lacuna in Sarduy studies, Rolando Pérez's book undertakes a critical approach to Sarduy's essays-Barroco, Escrito sobre un cuerpo, "Barroco y neobarroco," and La simulación-from the stand point of art history. Often overlooked in Sarduy studies is the fact that the twenty-three-year-old Sarduy left Cuba for Paris in 1961 to study not literature but art history, earning the equivalent of a Master's Degree from the École du Louvre with a thesis on Roman art. And yet it was the art of the Italian Renaissance (e.g., the paintings as well as the brilliant and numerous treatises on linear perspective produced from the 15th to the 16th century) and what Sarduy called the Italian, Spanish, and colonial Baroque or "neo-baroque" visually based aesthetic that interested him and to which he dedicated so many pages. In short, no book on Sarduy until now has traced the multifaceted art historical background that informed the work of this challenging and exciting writer. And though Severo Sarduy and the Neo-Baroque Image of Thought in the Visual Arts is far from being an introduction, it will be a book that many a critic of Sarduy and the Latin American "baroque" will consult in years to come.

Baroque & Rococo: 2021 Everything You Need To Know About Baroque & Rococo by Jasmine Carol
English | 2021 | ISBN: N/A | ASIN: B098TPQ8LR | 503 pages | EPUB | 0.79 Mb
Baroque & Rococo