MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz
Language: English | Size: 4.87 GB | Duration: 3h 57m
15-Steps to Dramatically Improve Your Acting Skills

No Acting Please: A Revolutionary Approach to Acting and Living By Eric Morris, Joan Hotchkis, Jack Nicholson
1995 | 176 Pages | ISBN: 096297093X | EPUB | 2 MB
A collection of 125 acting exercises that are based on journal excerpts and dialogues from Mr. Morris' classes. These exercises teach the actor to systematically eliminate his or her instrumental obstacles -- tensions, fears, inhibitions -- and explore the "being" state, where the actor does no more and no less than what he or she feels. As the title indicates, many of the techniques herein address the actor's need to avoid falling into the traps of concept and presentational acting. There is also a complete chapter on sense memory -- what it is, and how to practice it and apply it as an acting tool. Co-authored by Joan Hotchkis, and with a Foreword by Jack Nicholson.

Acting in the Night: Macbeth and the Places of the Civil War By Alexander Nemerov
2010 | 312 Pages | ISBN: 0520251865 | PDF | 6 MB
What can the performance of a single play on one specific night tell us about the world this event inhabited so briefly? Alexander Nemerov takes a performance of Macbeth in Washington, DC on October 17, 1863—with Abraham Lincoln in attendance—to explore this question and illuminate American art, politics, technology, and life as it was being lived. Nemerov's inspiration is Wallace Stevens and his poem “Anecdote of the Jar," in which a single object organizes the wilderness around it in the consciousness of the poet. For Nemerov, that evening's performance of Macbeth reached across the tragedy of civil war to acknowledge the horrors and emptiness of a world it tried and ultimately failed to change.

Breaking Into Acting for Dummies, 2nd Edition | 2.33 MB
English | N/A Pages

Title: Breaking into Acting For Dummies
Author: Larry Garrison, Wallace Wang
Year: N/A

English | 2021 | ISBN: 1493061259 | 208 pages |True epub | 669.69 KB
I Don't Need an Acting Class explores critical aspects of the technique of acting, utilizing conversations via email with countless actors. Some are aspiring students, others are seasoned professionals. The conversations document the challenges these diverse actors face as they digest what they have learned in a class or rehearsal while exploring in practical terms how to use their growing technique.

MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz
Language: English | Size: 1.07 GB | Duration: 1h 15m
Make yourself indispensable; learn the fundamentals of strategy and focus on your company's most strategic opportunities

MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz
Language: English | Size: 4.93 GB | Duration: 4h 22m
Develop New Voice Acting Skills FAST & Enjoy Creating Your Own Online Business Working from Home as a Voice Actor!

Duration: 1h 58m | Video: .MP4 1280x720, 30 fps(r) | Audio: AAC, 44100 Hz, 2ch | Size: 1.15 GB
Genre: eLearning | Language: English
In this class, you'll learn the fundamentals to get started in voice acting.

Lisa Peck, "Act as a Feminist: Towards a Critical Acting Pedagogy"
English | ISBN: 0815352360 | 2021 | 228 pages | PDF | 4 MB
Act as a Feminist maps a female genealogy of UK actor training practices from 1970 to 2020 as an alternative to traditional male lineages. It re-orientates thinking about acting through its intersections with feminisms and positions it as a critical pedagogy, fit for purpose in the twenty-first century.

Carmen M. K. Gitre, "Acting Egyptian: Theater, Identity, and Political Culture in Cairo, 1869-1930"
English | ISBN: 1477319182 | 2019 | 192 pages | PDF | 6 MB
In the late nineteenth and early twentieth centuries, during the "protectorate" period of British occupation in Egypt―theaters and other performance sites were vital for imagining, mirroring, debating, and shaping competing conceptions of modern Egyptian identity. Central figures in this diverse spectrum were the effendis, an emerging class of urban, male, anticolonial professionals whose role would ultimately become dominant. Acting Egyptian argues that performance themes, spaces, actors, and audiences allowed pluralism to take center stage while simultaneously consolidating effendi voices.From the world premiere of Verdi's Aida at Cairo's Khedivial Opera House in 1871 to the theatrical rhetoric surrounding the revolution of 1919, which gave women an opportunity to link their visibility to the well-being of the nation, Acting Egyptian examines the ways in which elites and effendis, men and women, used newly built performance spaces to debate morality, politics, and the implications of modernity. Drawing on scripts, playbills, ads, and numerous other sources, the book brings to life provocative debates that fostered a new image of national culture and performances that echoed the events of urban life in the struggle for independence.