A Sound that Shaped the 60's
Hark back to the heyday of classic rock and one instrument stands above the rest, a 350lb behemoth that would forever change the way we think about making music. At the heart of this monster was an array of tape machines, one per note on the attached keyboard, each playing a uniquely recorded sound. With only 8 seconds of tape per key and a cumbersome frame this machine had its limitations but was nonetheless impressive for its time, boasting a multitimbral and truly polyphonic 'engine'. Instantly made famous by the Beatles hit 'Strawberry Fields Forever' and used by countless others including The Moody Blues, Rolling Stones, and prog rock legends Yes, this was the 'must-have' sound of the 60's. While its use fell out of fashion the implications it made have become fundamental to modern music production.

By far one of the sweetest sounding and most influential analog synths we've had the privilege to work with, an iconic and powerful instrument whose lineage helped shape the sound of music and music for film throughout the '80s and beyond. Developed as the first fully-programmable polyphonic synthesizer with preset storage, this version 10 was the original prototype of what would become the mythical version 5, debuting in 1978 and revolutionizing the synthesizer world. It was only 3 years later, in 1981, that the more complex version 10 would see commercial release.

A new generation of sound designers weave a hard-hitting vision of electronic music, digging deep into the inner-workings of Falcon to craft a powerful and aggressive sonic arsenal ready to fuel the fire on your next production.

The Ensoniq ESQ-1 is a special keyboard at UVI. Used by many on our team, including being a personal favorite of one of our founders, our USQ-1 had to be great. We've leveraged years of experience with this synth and put our hearts into creating a collection of sounds that we're proud of and that we're sure you'll enjoy.
UVI USQ-1 | Machine

The first keyboard to transmit sampled waveforms via an oscillator, the K250, was a collaborative effort by legendary musician Stevie Wonder, ARP founder Alan Perlman and renowned synthesizer master Bob Moog.

FUTURISTIC ELECTRONIC SOUNDS
Expand your Falcon's capabilities with futuristic bass, solos, ambience, pads, effects and more.

The first in the Baldwin series of virtual pianos is a recreation of the Baldwin "R" series grand piano from 1954, released by our studio.
Baldwin's pianos, from major manufacturers to Acrosonic spinets, have always been our favorites, and we're thrilled to bring this Baldwin sound to the virtual piano market. Baldwin can now stand alongside brands such as Steinway, Yamaha, Bechstein, Fazioli and Bosendorfer in your virtual instrument arsenal.
It is a versatile and expressive piano packed with features we thought could truly express the musical history of the piano.

Venture into the darkness of the unknown with this powerful collection of sounds created for producers of modern bass, post-EDM, DnB, garage and other genres - perfect for those who wants to add brutal, cutting edge sound design to their music, film or game. estimates.

INSPIRED BY THE TOP OF 70'S TECHNOLOGY

In 1985 the world was introduced to the Japanese 12-voice analog synthesizer with 24 oscillators par excellence and the last truly analog synthesizer in its line. Due to the meager aesthetics, the lack of knobs made the system a bit tricky to program, but an external controller could be plugged in, merrily reuniting synthesizers with the spontaneity and fast programming speed of its always popular siblings. This synthesizer is known for its huge and powerful analog sound, even with some digital textures; it's just a great car. Programming possibilities were equally rich, including independent control of 2 DCOs per voice, 2 EGs, 2 VCFs, a built-in chorus, and even a sequencer (albeit limited).