Free Download Alexander Amberger, "Dissident Marxism and Utopian Eco-socialism in the German Democratic Republic: The Intellectual Legacies of Rudolf Bahro"
English | ISBN: 9004687807 | 2024 | 426 pages | PDF | 3 MB
In the 1970s, several members of the DDR opposition began to investigate the limits to unrestrained economic growth. The result of their work was three distinctive eco-utopias with an astonishing relevance to contemporary debates. This volume presents the first detailed account of them for an English-language readership.

Free Download Spoiling the peace?: The threat of dissident Republicans to peace in Northern Ireland by Sophie Whiting
English | 2015 | ISBN: 0719095727 | 224 Pages | EPUB | 514.5 KB
This book assesses the security threat and political challenges offered by dissident Irish republicanism to the Northern Irish peace process.

Free Download Mr Tom Stennett, "Dissident Authorship in Mozambique: the Case of António Quadros (1933-1994) "
English | ISBN: 0198885903 | 2024 | 160 pages | EPUB, PDF | 433 KB + 2 MB
Dissident Authorship in Mozambique: the Case of António Quadros is the first monograph on the literary works of the pennames of Portuguese poet and painter António Quadros (1933-1994). The book uses Quadros's quirky case- a Portuguese man who lived in colonial and post-independence Mozambique, where he published poetry and prose under three pennames-João Pedro Grabato Dias, Frey Ioannes Garabatus, and Mutimati Barnabé Joãoto-to examine the question of what it means to be an author in Mozambique and how authorship changed after the end of Portuguese colonial rule. Quadros's engagement with the question of the authors' place and function in authoritarian contexts stands as a fruitful counterpoint to the influential essays by Roland Barthes ('The Death of the Author', 1968) and Michel Foucault ('What is an Author?', 1969), the publication of which coincided with Quadros's literary début in 1968. Quadros's interesting and useful contributions to the question of Mozambican authorship are analysed in historical context and read alongside postcolonial and decolonial theory.

Stone Age Herbalist, "Berserkers, Cannibals & Shamans: Essays in Dissident Anthropology"
English | 2022 | ASIN: B0BBXD3JFG | 393 pages | EPUB | 0.29 MB
Good anthropology should frighten and disturb. How many children are ritually sacrificed in Uganda each year? Why does China have such a long history of cannibalism? Do modern soldiers still go berserk like the Vikings of old?

T. Allan Hillman University of South Alabama, "Dissident Philosophers: Voices Against the Political Current of the Academy"
English | ISBN: 153815904X | 2021 | 320 pages | PDF | 6 MB
The book consists of sixteen essays (and an introduction) from prominent philosophers who are at odds with the predominant political trend(s) of academic philosophy, political trend(s) primarily associated with leftism. Some of these philosophers identify explicitly with the political right - an admittedly broad term which ranges from American conservative to British Tory, from religious right to non-religious right, from libertarian to authoritarian. Yet other dissident philosophers eschew the left/right dichotomy altogether while maintaining a firm political distance from the majority of their (left-leaning) colleagues. The primary goal of the volume is to represent a broad constituency of political philosophies and perspectives at variance with the prevailing political sentiments of the academy. Each essay is partly autobiographical in nature, detailing personal experiences that have influenced these philosophers throughout their lives, and partly philosophical, putting forth reflections on the intellectual viability of a right-leaning (or decidedly non-left leaning) political philosophy or some segment of it. The contemporary university is supposed to be the locus of viewpoint diversity, and yet as is evident to professors, students, and virtually anyone else who sets foot within its halls, it most certainly is not - particularly in matters political. Nevertheless, these essays are not instances of special-pleading or grievance incitement. Instead, each article provides a glimpse into the life of an academic philosopher whose views have largely been at odds with peers and colleagues. Furthermore, all of the essays were consciously constructed with the aim of being philosophically rigorous while eschewing technical language and verbose prose. In short, the essays will be enjoyable to a wide audience.

Claudia Calirman, "Dissident Practices: Brazilian Women Artists, 1960s-2020s"
English | ISBN: 1478019409 | 2023 | 264 pages | PDF | 35 MB
In Dissident Practices, Claudia Calirman examines sixty years of visual art by prominent and emerging Brazilian women artists from the 1960s to the present, covering the period from the military dictatorship to the return to democracy in the mid-1980s, the social changes of the 2000s, the rise of the Right in the late-2010s, and the recent development of an overtly feminist art practice. Though they were lauded as key figures in Brazilian art, these artists still faced adversity and constraints because of their gender. Although many of them in the 1960s and 1970s disavowed the term feminism, Calirman gives a nuanced account of how they responded to authoritarianism, engaged with trauma in the aftermath of the military dictatorship, interrogated social gender norms, and fought against women's objectification. By battling social inequalities, structures of power, and state violence, these artists create political agency in a society in which women remain targets of brutality and discrimination.

A Ransomed Dissident: A Life in Art Under the Soviets By Igor Golomstock
2019 | 288 Pages | ISBN: 1788312953 | PDF | 3 MB
In 1939, a ten-year-old Igor Golomstock accompanied his mother, a medical doctor, to the vast network of labour camps in the Russian Far East. While she tended patients, he was minded by assorted 'trusty' prisoners - hardened criminals - and returned to Moscow an almost feral adolescent, fluent in obscene prison jargon but intellectually ignorant. Despite this dubious start he became a leading art historian and co-author (with his close friend Andrey Sinyavsky) of the first, deeply controversial, monograph on Picasso published in the Soviet Union.His writings on his 43 years in the Soviet Union offer a rare insight into life as a quietly subversive art historian and the post-Stalin dissident community. In vivid prose Golomstock shows the difficulties of publishing, curating and talking about Western art in Soviet Russia and, with self-deprecating humour, the absurd tragicomedy of life for the Moscow intelligentsia during Khruschev's thaw and Brezhnev's stagnation. He also offers a unique personal perspective on the 1966 trial of Sinyavsky and Yuri Daniel, widely considered the end of Khruschev's liberalism and the spark that ignited the Soviet dissident movement.In 1972 he was given 'permission' to leave the Soviet Union, but only after paying a 'ransom' of more than 25 years' salary, nominally intended to reimburse the state for his education. A remarkable collection of artists, scholars and intellectuals in Russia and the West, including Roland Penrose, came together to help him pay this astronomical sum. His memoirs of life once in the UK offer an insider's view of the BBC Russian Service and a penetrating analysis of the notorious feud between Sinyavsky and Aleksandr Solzhenitsyn. Nominated for the Russian Booker Prize on its publication in Russian in 2014, The Ransomed Dissident opens a window onto the life of a remarkable man: a dissident of uncompromising moral integrity and with an outstanding gift for friendship.

Bong Joon Ho: Dissident Cinema by Karen Han
English | November 22, 2022 | ISBN: 1419758128 | True EPUB | 272 pages | 33.2 MB
Brilliantly illustrated and designed by the London-based film magazine Little White Lies, Bong Joon Ho: Dissident Cinema examines the career of the South Korean writer/director, who has been making critically acclaimed feature films for more than two decades. First breaking out into the international scene with festival-favorite Barking Dogs Never Bite (2000), Bong then set his sights on the story of a real-life serial killer in 2003's Memories of Murder and once again won strong international critical attention. But it was 2006's The Host that proved to be a huge breakout moment both for Bong and the Korean film industry. The monster movie, set in Seoul, premiered at Cannes and became an instant hit-South Korea's widest release ever, setting new box office records and selling remake rights in the US to Universal.

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Dissident Miami (2021)
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320 kbps | MP3 | unmixed | 26-03-2021 | 02:35:11 | 359 Mb