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E-BooksFresh Dialogue 8 Designing Audiences New Voices in Graphic Design



Fresh Dialogue 8 Designing Audiences  New Voices in Graphic Design
Free Download AIGA New York Chapter, "Fresh Dialogue 8: Designing Audiences / New Voices in Graphic Design"
English | ISBN: 156898751X | 2008 | 112 pages | PDF | 3 MB
Each year the New York chapter of AIGA brings together emerging designers for Fresh Dialogue, a panel discussion thatprovides a forum to present and talk about work, thoughts, and ideas. Designing Audiences takes a fresh look at graphic design through the eyes of three young designers, all of whom have embraced a media landscape dominated by user-centric social networking sites such as MySpace, Flickr, and YouTube. Playing with the notion of designer as visual interlocutor, they craft conversations where viewers become participants and the relationship between design and its consumers is radically redefined.



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E-BooksTransnational European Cinema Representation, Audiences, Identity



Transnational European Cinema Representation, Audiences, Identity
Free Download Huw D. Jones, "Transnational European Cinema: Representation, Audiences, Identity "
English | ISBN: 3031445945 | 2024 | 288 pages | EPUB, PDF | 2 MB + 7 MB
This book explores how audiences in contemporary Europe engage with films from other European countries. It draws on admissions data, surveys, and focus group discussions from across the continent to explain why viewers are attracted to particular European films, nationalities, and genres, including action-adventures, family films, animations, biopics, period dramas, thrillers, comedies, contemporary drama, and romance. It also examines how these films are financed, produced, and distributed, how they represent Europe and other Europeans, and how they affect audiences. Case-studies range from mainstream movies like Skyfall, Taken, Asterix & Obelix: God Save Britannia, and Sammy's Adventures: A Turtle's Tale to more middlebrow and arthouse titles, such as The Lives of Others, Volver, Coco Before Chanel, The Girl with the Dragon Tattoo



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E-BooksFilm audiences Personal journeys with film



Film audiences Personal journeys with film
Free Download Bridgette Wessels, "Film audiences: Personal journeys with film"
English | ISBN: 1526157829 | 2022 | 304 pages | PDF | 6 MB
Reception studies have made film audiences increasingly visible, while surveys track trends and policymakers gather information about audience preferences and demographics. But little attention has been paid to the specific contextual relationships and interactions between films and individuals that generate and sustain audiences. This monograph develops the idea of audiences as interactive and relational, introducing three innovative concepts: 'personal film journeys', five types of audience formations and five geographies of film provision. A major challenge of audience research is how to capture the richness of people's social and cultural engagement with film. To achieve this, the book uses an innovative mixed-methods research and computational ontology. It develops ground-breaking theory and concepts and an innovative methodology based on an extensive data-set derived from the under-researched area of British regional film audiences.



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E-BooksUnderstanding Audiences, Customers, and Users via Analytics



Understanding Audiences, Customers, and Users via Analytics
Free Download Understanding Audiences, Customers, and Users via Analytics:
An Introduction to the Employment of Web, Social, and Other Types of Digital People Data

English | 2024 | ISBN: 3031419324 | 263 Pages | PDF EPUB (True) | 14 MB



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E-BooksActors, Audiences, and Emotions in the Eighteenth Century Communities of Sentiment



Actors, Audiences, and Emotions in the Eighteenth Century Communities of Sentiment
Actors, Audiences, and Emotions in the Eighteenth Century: Communities of Sentiment (Palgrave Studies in the History of Emotions) by Glen McGillivray
2023 | ISBN: 3031228987 | English | 241 pages | PDF | 6 MB
This book offers an innovative account of how audiences and actors emotionally interacted in the English theatre during the middle decades of the eighteenth century, a period bookended by two of its stars: David Garrick and Sarah Siddons. Drawing upon recent scholarship on the history of emotions, it uses practice theory to challenge the view that emotional interactions between actors and audiences were governed by empathy. It carefully works through how actors communicated emotions through their voices, faces and gestures, how audiences appraised these performances, and mobilised and regulated their own emotional responses. Crucially, this book reveals how theatre spaces mediated the emotional practices of audiences and actors alike. It examines how their public and frequently political interactions were enabled by these spaces.



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E-BooksTelevision, Audiences and Cultural Studies



Television, Audiences and Cultural Studies
Television, Audiences and Cultural Studies By David Morley
2014 | 334 Pages | ISBN: 0415054451 | PDF | 4 MB
Television, Audiences and Cultural Studies presents a multi-faceted exploration of audience research, in which David Morley draws on a rich body of empirical work to examine the emergence, development and future of television audience research. In addition to providing an introductory overview from a cultural studies perspective, David Morley questions how class and cultural differences can affect how we interpret television, the significance of gender in the dynamics of domestic media consumption, how the media construct the `national family', and how small-scale ethnographic studies can help us to understand the global-local dynamics of postmodern media systems.Morley's work reconceptualises the study of `ideology' within the broader context of domestic communications, illuminating the role of the media in articulating public and private spheres of experience and in the social organisation of space, time and community.



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E-BooksIdentities and Audiences in the Musical An Oxford Handbook of the American Musical, Volume 3



Identities and Audiences in the Musical An Oxford Handbook of the American Musical, Volume 3
Identities and Audiences in the Musical: An Oxford Handbook of the American Musical, Volume 3 (Oxford Handbooks) edited by Raymond Knapp, Mitchell Morris, Stacy Wolf
English | September 28, 2018 | ISBN: 0190877790 | True EPUB | 264 pages | 0.9 MB
Issues of identity have always been central to the American musical in all its guises. Who appears in musicals, who or what they are meant to represent, and how, over time, those representations have been understood and interpreted, provide the very basis for our engagement with the genre.



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E-BooksEntertainment Public Relations Communicating with Audiences



Entertainment Public Relations Communicating with Audiences
Carol Ames, "Entertainment Public Relations: Communicating with Audiences"
English | 2016 | ISBN: 1433130548 | PDF | pages: 251 | 3.2 mb
Every show needs an audience. How do we find them? How do we reach them? How do we motivate them to buy tickets? This informative book provides an essential look at the public relations strategies, tactics, and tools that have put Hollywood entertainment at the center of global popular culture. It uniquely focuses on the public relations cycle in each segment of the entertainment industry. PR cycles connect strategy to benchmarks in product development, production, and distribution, as well as to seasons and industry events.



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E-BooksAuthors, Audiences, and Old English Verse



Authors, Audiences, and Old English Verse
Authors, Audiences, and Old English Verse By Thomas A. Bredehoft
2009 | 258 Pages | ISBN: 0802099459 | EPUB | 2 MB
'Authors, Audiences, and Old English Verse' re-examines the Anglo-Saxon poetic tradition from the eighth to the eleventh centuries and reconsiders the significance of formulaic parallels and the nature of poetic authorship in Old English.Offering a new vision of much of Old English literary history, Thomas A. Bredehoft traces a tradition of 'literate-formulaic' composition in the period and contends that many phrases conventionally considered oral formulas are in fact borrowings or quotations. His identification of previously unrecognized Old English poems and his innovative arguments about the dates, places of composition, influences, and even possible authors for a variety of tenth- and eleventh-century poems illustrate that the failure of scholars to recognize the late Old English verse tradition has seriously hampered our literary understanding of the period. Provocative and bold, 'Authors, Audiences and Old English Verse' has the potential to transform modern understandings of the classical Old English poetic tradition.



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E-BooksNew Collecting Exhibiting and Audiences after New Media Art



New Collecting Exhibiting and Audiences after New Media Art
Beryl Graham, "New Collecting: Exhibiting and Audiences after New Media Art"
English | 2014 | ISBN: 1409448940, 0815399812 | PDF | pages: 255 | 2.5 mb
The collections of museums, galleries and online art organisations are increasingly broadening to include more new media art. Because new media is used as a means of documenting, archiving and distributing art, and because new media art might be interactive with its audiences, this highlights the new kinds of relationships that might occur between audiences as viewers, participants, selectors, taggers or taxonomisers. New media art presents many challenges to the curator and collector, but there is very little published analytical material available to help meet those challenges. This book fills that gap. Drawing from the editor's extensive research and the authors' expertise in the field, the book provides clear navigation through a disparate arena. The authors offer examples from a wide geographical reach, including the UK, North America and Asia and integrate the consideration of audience response into all aspects of their work. The book will be essential reading for those studying or practicing in new media, curating or museums and galleries.



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