Free Download Sex, Sickness, and Slavery: Illness in the Antebellum South By Marli F. Weiner, Mayzie Hough
2012 | 289 Pages | ISBN: 025208053X | PDF | 9 MB
Marli F. Wiener skillfully integrates the history of medicine with social and intellectual history in this study of how race and sex complicated medical treatment in the antebellum South. Sex, Sickness, and Slavery argues that Southern physicians' scientific training and practice uniquely entitled them to formulate medical justification for the imbalanced racial hierarchies of the period. Challenged with both helping to preserve the slave system (by acknowledging and preserving clear distinctions of race and sex) and enhancing their own authority (with correct medical diagnoses and effective treatment), doctors sought to understand bodies that did not necessarily fit into neat dichotomies or agree with suggested treatments. Focusing on Southern states from Virginia to Alabama, Weiner examines medical and lay perspectives on the body through a range of sources, including medical journals, notes, diaries, daybooks, and letters. These personal and revealing sources show how physicians, medical students, and patients--both free whites and slaves--felt about vulnerability to disease and mental illnesses, how bodily differences between races and sexes were explained, and how emotions, common sense, working conditions, and climate were understood to have an effect on the body. Physicians' authority did not go uncontested, however. Weiner also describes the ways in which laypeople, both black and white, resisted medical authority, clearly refusing to cede explanatory power to doctors without measuring medical views against their own bodily experiences or personal beliefs. Expertly drawing the dynamic tensions during this period in which Southern culture and the demands of slavery often trumped science, Weiner explores how doctors struggled with contradictions as medicine became a key arena for debate over the meanings of male and female, sick and well, black and white, North and South.

Free Download Sensationalism and the Jew in Antebellum American Literature
by David Anthony
English | 2023 | ISBN: 0192871730 | 209 Pages | True PDF | 8.5 MB

Free Download Viola Franziska Müller, "Escape to the City: Fugitive Slaves in the Antebellum Urban South"
English | ISBN: 1469671050 | 2022 | 262 pages | PDF | 23 MB
Viola Franziska Muller examines runaways who camouflaged themselves among the free Black populations in Baltimore, Charleston, New Orleans, and Richmond. In the urban South, they found shelter, work, and other survival networks that enabled them to live in slaveholding territory, shielded and supported by their host communities in an act of collective resistance to slavery. While all fugitives risked their lives to escape slavery, those who fled to southern cities were perhaps the most vulnerable of all. Not dissimilar to modern-day refugees and illegal migrants, runaway slaves that sought refuge in the urban South were antebellum America's undocumented people, forging lives free from bondage but without the legal status of freedpeople. Spanning from the 1810s to the start of the Civil War, Muller reveals how urbanization, work opportunities, and the interconnectedness of free and enslaved Black people in each city determined how successfully runaways could remain invisible to authorities.

Free Download Slavery, Surveillance, and Genre in Antebellum United States Literature
English | 2022 | ISBN: 0192856278 | 200 Pages | PDF (True) | 3.4 MB
Slavery, Surveillance, and Genre in Antebellum United States Literature argues for the existence of deep, often unexamined, interconnections between genre and race by tracing how surveillance migrates from the literature of slavery to crime, gothic, and detective fiction. Attending to the long history of surveillance and policing of African Americans, the book challenges the traditional conception of surveillance as a top-down enterprise, equally addressing

Black Litigants in the Antebellum American South By Kimberly M. Welch
2018 | 323 Pages | ISBN: 146963645X | PDF | 10 MB
In the antebellum Natchez district, in the heart of slave country, black people sued white people in all-white courtrooms. They sued to enforce the terms of their contracts, recover unpaid debts, recuperate back wages, and claim damages for assault. They sued in conflicts over property and personal status. And they often won. Based on new research conducted in courthouse basements and storage sheds in rural Mississippi and Louisiana, Kimberly Welch draws on over 1,000 examples of free and enslaved black litigants who used the courts to protect their interests and reconfigure their place in a tense society.To understand their success, Welch argues that we must understand the language that they used--the language of property, in particular--to make their claims recognizable and persuasive to others and to link their status as owner to the ideal of a free, autonomous citizen. In telling their stories, Welch reveals a previously unknown world of black legal activity, one that is consequential for understanding the long history of race, rights, and civic inclusion in America."Kimberly Welch has done a remarkable job piecing together a rich set of stories from these evasive texts and artifacts, bringing to life the world of ordinary people who were able to use the courts in extraordinary ways." - Ariela Gross, author of What Blood Won't Tell"In this compelling, carefully researched book, Welch uses local court records to uncover the ways in which black litigants in the antebellum South advanced claims to legal personhood. The prevailing sanctity of private property created space within which they could seek loan repayment, wages due, inheritance, and sometimes even freedom, despite the fact that granting such claims to black litigants could undermine white supremacy. Written with a light touch and telling detail, this landmark study of race and law introduces us to men and women of African descent who took their white neighbors to court to assert rights they insisted should be respected." -- Rebecca J. Scott, coauthor of Freedom Papers"Black Litigants in the Antebellum American South challenges our understandings of the relationship between black people and the law in the antebellum South. Welch gives us a more complete picture of the black legal experience in civil--not criminal--litigation, where property rights precede and function as civil rights in the 1800s. Building on the strength of new approaches to the litigiousness and advocacy among peoples of African descent, Welch has written a deeply researched book that will engage scholars across the Americas." -- Michelle McKinley, University of Oregon

Industrial Development and Manufacturing in the Antebellum Gulf South A Reevaluation- | 8.03 MB
English | 311 Pages

Title: Industrial Development and Manufacturing in the Antebellum Gulf South
Author: Michael S. Frawley
Year: 2019

Industrial Development and Manufacturing in the Antebellum Gulf South: A Reevaluation by Michael S. Frawley
English | May 8th, 2019 | ISBN: 0807170682 | 216 pages | True EPUB | 8.03 MB
In the aftermath of the Civil War, contemporary narratives about the American South pointed to the perceived lack of industrial development in the region to explain why the Confederacy succumbed to the Union. Even after the cliometric revolution of the 1970s, when historians first began applying statistical analysis to reexamine antebellum manufacturing output, the pervasive belief in the region's backward-ness prompted many scholars to view slavery, not industry, as the economic engine of the South.

Adam Gordon, "Prophets, Publicists, and Parasites: Antebellum Print Culture and the Rise of the Critic"
English | ISBN: 162534452X | 2020 | 280 pages | PDF | 9 MB
Print culture expanded significantly in the nineteenth century due to new print technologies and more efficient distribution methods, providing literary critics, who were alternately celebrated and reviled, with an ever-increasing number of venues to publish their work. Adam Gordon embraces the multiplicity of critique in the period from 1830 to 1860 by exploring the critical forms that emerged. Prophets, Publicists, and Parasites is organized around these sometimes chaotic and often generative forms and their most famous practitioners: Edgar Allan Poe and the magazine review; Ralph Waldo Emerson and the quarterly essay; Rufus Wilmot Griswold and the literary anthology; Margaret Fuller and the newspaper book review; and Frederick Douglass's editorial repurposing of criticism from other sources. Revealing the many and frequently competing uses of criticism beyond evaluation and aesthetics, this insightful study offers a new vision of antebellum criticism, a new model of critical history, and a powerful argument for the centrality of literary criticism to modern life.

Size: 291.47 MB | Total Duration: 44:10 | Total Tracks: 11
Format: FLAC | 846 Kbps
Album: Need You Now
Artist: Lady Antebellum
Genre: Country
Date/Year: 2010