Free Download Andrew Prescott, "Archives: Power, Truth, and Fiction "
English | ISBN: 0198829329 | 2024 | 544 pages | PDF | 8 MB
Archives have never been more complex, expansive, or ubiquitous. Gargantuan in scale and conception yet never sufficient or complete, the archive is on the one hand a space for empowerment and expression and on the other an instrument of constraint and repression. The way in which the archive is structured, made available, and developed plays a central role in how societies define their values and ethics. Archives: Power, Truth, and Fiction is a wide-ranging and innovative volume which highlights the vibrancy and urgency of the field by bringing together contributors from many different disciplines and backgrounds, including archivists, historians, literary scholars, digital researchers, and creative practitioners.

Free Download Siyakha Mguni, "Archival Theory, Chronology and Interpretation of Rock Art in the Western Cape, South Africa "
English | ISBN: 1784914460 | 2017 | 165 pages | PDF | 50 MB
Since absolute dating of rock art is limited, relative chronologies remain useful in contextualising interpretations of ancient images. This book advocates the archival capacity of rock art and uses archival perspectives to analyse the chronology of paintings in order to formulate a framework for their historicised interpretations. The Western Cape painting sequence is customarily accepted to include the hunter-gatherer phase from c. 10,000 BP, pastoralism from c. 2,000 BP and finally the historical-cum-colonial period several centuries ago. Painting traditions with distinct depiction manners and content are conventionally linked to these broad periods. This study evaluates this schema in order to refine the diverse hunter-gatherer, herder and colonial era painting contexts and histories. Using superimpositions as one analytical tool, the notion of datum aided the referencing and correlation of layered imagery into a relative sequence. Although broad differences separate painting traditions, and these variations are generally indistinguishable within a single tradition, it is clear that the long-spanning hunter-gatherer segment of painting in this region reflects a hitherto unrecognised sub-tradition. Some painted themes such as elephants, fat-tailed sheep, handprints and possibly finger dots occur within various levels of the sequence, which this study views as shared graphic fragments occurring between and across traditions and sub-traditions. Through the archival concept of respect des fonds such observable complexities were clarified as coherent graphic narratives that run through the entire chronological sequence of the Western Cape rock paintings. Probing archaeological, ethnographic and historical sources revealed that while these themes remained fundamentally consistent throughout the stratigraphic sequence as preferred subject matter, their meanings might have transformed subliminally from earlier to later periods, possibly reflecting layered shifts in the socio-economic, cultural and political circumstances of the region. Fundamentally, the framework of image histories shown by the choice and sustenance of specific themes is understood to mean that their significance and specific graphic contexts throughout the chronological sequence are pivoted and mirrored through the long established hunter-gatherer rock paintings which predate periods of contact with other cultures. The resulting sequence and interpretation of these painted themes is a descriptive and organisational template reflecting the original organic character in the creation of the paintings and ordered cultural continuities in the use of animal/human symbolism. This book's agenda in part involves reviewing the Western Cape's changing social and historical landscape to show variation in painting over time and to project possible interpretative transformations. Painting sequences and cultural (dis)continuities are thus intricately entwined and can be disentangled through a recursive analytical relationship between archaeology, ethnography and history. This amalgamated analytical approach produces historicised narratives and contextual meanings for the rock paintings.

Free Download Manuel López Segura, "Architecture for Spain's Recovered Democracy: Public Patronage, Regional Identity, and Civic Significance in 1980s Valen"
English | ISBN: 1032347465 | 2023 | 304 pages | EPUB, PDF | 145 MB + 245 MB
Historical studies on the involvement of architecture in twentieth-century politics have overlooked its contribution to building Spain's democracy. This pioneering book seeks to fill that void. Between the late 1970s and early 1990s, Spain founded representative institutions, launched its welfare state, and devolved autonomy to its regions. The study brings forth the architectural incarnation of that threefold program as it deployed in the Valencian Country, a Catalan-speaking region on Spain's Mediterranean shores. There, social democratic authorities mobilized architects, planners, and graphic artists to devise a newly open public sphere and to recover a local identity that Franco's dictatorship had repressed for decades. The research follows the impetus of reform and its contradictions through urban projects, designs for cultural amenities, and the renovation of governmental and professional bodies.

Free Download Architectural Patterns and Techniques for Developing IoT Solutions: Build IoT applications using digital twins, gateways, rule engines, AI/ML integration, and related patterns by Jasbir Singh Dhaliwal
English | September 28, 2023 | ISBN: 1803245492 | 304 pages | EPUB + MOBI | 36 Mb
Apply modern architectural patterns and techniques to achieve scalable, resilient, and secure intelligent IoT solutions built for manufacturing, consumer, agriculture, smart cities, and other domains

Free Download Architectural Aesthetics: Appreciating Architecture As An Art (Bloomsbury Aesthetics) by Edward Winters
English | May 18, 2023 | ISBN: 1350210994 | 234 pages | MOBI | 5.73 Mb
The fine arts are traditionally seen to have intrinsic value: that is, they are valuable in themselves. But this poses a problem for architecture: its works are designed to serve our purposes, and therefore it is classed as functional. Carving out a new space, Edward Winters argues why architecture is a fine art and finds a place for the fine art of architecture in the cultural environment in which we structure our lives. Winters reconciles intrinsic value, as a fine art, with extrinsic value, as shelter, security and comfort, without collapsing into the modernist conception of Functionalism. He draws on the Apollonian and the Dionysian to resolve the apparent conflict between the two values: the former requiring contemplative, detached reflection, the latter an engaged, embodied entanglement with the festive mood inspired by the immediate situation. Architecture, Winters claims, is to be regarded as functional; but this functionality is subsumed under the intrinsic aesthetic value of living well. Introducing the main positions in the philosophy of architecture through the lens of the timeless argument about what constitutes art, Winters lays out a humanistic view of the medium and extends our understanding of aesthetics and the everyday.

Free Download Architecting Enterprise Transformations: A Holistic Approach to Business Optimization, Innovation, and Agility by Suresh Done
English | April 11, 2023 | ISBN: 1642252603 | 210 pages | PDF | 11 Mb
Every company needs a framework―a blueprint to follow so that the enterprise can carry out its best work.

Free Download Walter Reid, "Architect of Victory: Douglas Haig"
English | 2009 | ISBN: 1843410451, 1841585173 | EPUB | pages: 496 | 0.7 mb
Haig masterminded a British-led victory over a continental opponent on a scale that has never been matched before or since. Whereas Wellington commanded forces at Waterloo in which the British were only a minority, in the final stages of the war, Haig controlled a vast British Army, which had grown from a mere six divisions to sixty over the course of the war. The British Army in France in 1918 compromised nearly three million men - only a third less than the population of London, then the largest city in Europe. Contrary to myth, Haig was not a cavalry-obsessed, blinkered conservative, as satirised in Oh! What a Lovely War and Blackadder Goes Forth. Fascinated by technology, he pressed for the use of tanks, enthusiastically embraced air power, and encouraged the use of new techniques involving artillery and machine-guns. Above all, he presided over a change in infantry tactics from almost total reliance on the rifle towards all-arms, multi-weapons techniques that formed the basis of British army tactics until the 1970s. Prior re-evaluations of Haig's achievements have largely been limited to monographs and specialist writings. Walter Reid has written the first biography of Haig that takes into account modern military scholarship, giving a more rounded picture of the private man than has previously been available. What emerges is a picture of a comprehensible human being, not necessarily particularly likeable, but honourably ambitious, able and intelligent, and the man more than any other responsible for delivering victory in 1918.

Free Download John W. Primomo, "Architect of Death at Auschwitz: A Biography of Rudolf Hoss"
English | ISBN: 1476681465 | 2020 | 251 pages | EPUB, PDF | 10 MB + 22 MB
Rudolf Hoss has been called the greatest mass murderer in history. As the longest-serving commandant of Auschwitz, he supervised the killing of more than 1.1 million people. Unlike many of his Nazi colleagues who denied either knowing about or participating in the Holocaust, Hoss remorselessly admitted, both at the Nuremberg war crimes trial and in his memoirs, that he sent hundreds of thousands of Jews to their deaths in the gas chambers, frankly describing the killing process. His "innovations" included the use of hydrogen cyanide (derived from the pesticide Zyklon B) in the camp's gas chambers. Hoss lent his name to the 1944 operation that gassed 430,000 Hungarian Jews in 56 days, exceeding the capacity of the Auschwitz's crematoria.

Free Download Prof. Dr. Martin Furholt, "Archaeology in the Žitava valley I: The LBK and Želiezovce settlement site of Vráble "
English | ISBN: 9088908982 | 2021 | 546 pages | PDF | 46 MB
The early Neolithic site of Vráble (5250-4950 cal BCE) is among the largest LBK settlement agglomerations in Central Europe, and exceptional within the southwest Slovakian area. Geophysical surveys revealed more than 300 houses, grouped into three contemporary neighbourhoods, one of which is delineated by a complex ditched enclosure system. This enclosure is associated with a large number of human remains, which reveal new patterns of burial and deposition practices. This volume presents the first part of the results of an international research project that was started in 2012 and aims to explore the social implications of settlement concentration in the context of early farming communities, on the background of subsistence patterns and landscape use.

Free Download Santeri Vanhanen, "Archaeobotanical studies of past plant cultivation in northern Europe "
English | ISBN: 9493194116 | 2021 | 187 pages | PDF | 26 MB
Plant cultivation has a long and successful history that is tightly linked to environmental and climate change, social development and to cultural traditions and diversity. This is true also for the high latitudes of northern Europe, where cultivation started thousands of years before the earliest written records. The long history of cultivation can be studied by archaeobotany, which is the study of ancient seeds, pollen and other plant remains found on archaeological sites.